I was surprised to see the Carlyle Group on the board, along with many others from high end wall street financial firms, like Morgan Stanley. The board also includes ex members of the Federal Reserve, and other such big high recognition names.
This below is a story telling effort of where they intend to take us. Its an excellent presentation of what they are trying to say about us, who are the filthy masses, while they are the elite and what we can expect, based on what they have shown us on these symbolisms painted on their walls, the worse treatment we can even imagine.
Our corporations have been taken over by our foriegn occupied criminals, and intend to take everything we have and in return will "let us work for them as slaves". Well, good luck. Read this and let us know what you think about the direction they intend to take us.
November 23, 2010
from VigilantCitizen Website
Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols.
Even more unsettling is the fact that those images seem to predict events of a radical world change in the not-so-distant future. Are those murals predicting the coming of an occult New World Order?
We will look at the occult meaning of the symbols found on the Bank of America frescoes.
A reader of Infowars sent me pictures of some very odd murals displayed at the Bank of America Corporate Center in Charlotte, NC. Needless to say they immediately caught my attention, as I was flabbergasted by their symbolism and their message.
I also couldn’t help relating them to the ominous murals of the Denver International Airport.
Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.
The three frescoes ruling over the lobby of
the Bank of America Corporate Center.
Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left.
The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there. There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:
The fresco on the right is dubbed Planning/Knowledge. An esoteric read of its symbolism reveals exactly what is being planned and what knowledge it is referring to.
Masonic Boy on Masonic Floor
We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:
“Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?
A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.”
- Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor
Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?
This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.
Blond boy hammering a sword into a plowshare.
Note that the boy is wearing a traditional Bavarian costume…
perhaps as in Bavarian Illuminati?
Burning Bush, Woman in Cube and Pyramid
Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament.
The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.
“In the third Exodus it is recordeded that, while Moses was keeping the flock of Jethro on Mount Horeb, the angle of the Lord appeared unto him in a flame of fire out of the midst of a bush, and there communicated to him for the first time his Ineffable Name.”
This occurrence is commemorated in the Burning Bush of the Royal Arch Degree. In all systems of antiquity, fire is adopted as a symbol of Deity; and the Burning Bush, or the bush filled with fire which did not consume, whence came forth the Tetragrammaton, the symbol of Divine Light and Truth, is considered in the advanced degrees of Freemasonry, like the Orient in the lower, as the great source of true Masonic light.
Wherefore Supreme Councils of the Thirty-Third Degree date their balustres or official documents, “near the B.B.” or Burning Bush, to intimate that they are, in their own rite, the exclusive source of all Masonic instruction”.
- Albert G. Mackey, Encyclopedia of Freemasonry, Part 1
In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in occult teachings.
A strange feature of the painting is the woman apparently trapped inside a transparent cube, hanging from threads coming from the sky.