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Vatic Note: One of the "MUST READ'S" of this blog, is the full description of Timothy McVeigh and who he really was. That then leads to the first serious distrust of our government on a nationwide scale and it has progressed downward with every foreign occupied government false flag that has been outted, which is most of them, if not all of them. There has not been one single terrorist attack by "GUN OWNERS", "MUSLIMS", OR MIDDLE EASTERN ARAB COUNTRIES, rather, terrorist attacks by Homeland "stormtroopers" Security.
The researcher on this did a horrific job and paid a big price for doing the MSM job, that they should have done, but didn't since they are owned by the same foreign interests that run our government and control key positions that allow them to conduct illegal mafia money making operations that otherwise are not available to them on such a broad and planetary scale. The irony is us taxpayers have contributed to this problem by paying our taxes. If we ever decide to resist, that is how we should do it..... DO NOT PAY YOUR TAXES, AND DO THAT ENMASS.
Read this and educate yourselves on the extent that you are able to believe and to comprehend. It was hard for me, so I can imagine just how had this will be on those who are good, God fearing and practising Ashkenazi Jews.
Documentary: A Noble Lie exposes Oklahoma City bombing as government black-ops
By Craig McKee, Truth and Shadows, Feb 27, 2012
By Craig McKee
The official narrative is simple: "A right-wing extremist and his
accomplice struck a blow against the American government by setting off a
truck bomb in front of the Alfred P. Murrah Federal Building in
Oklahoma City, April 19, 1995.
The result was 168 dead, including 19 children, and more than 800
injured. The bombing left the American people fearing a new “terrorist”
enemy: the home-grown, militia-loving, anti-government extremist."
Good story. Not true.
The truth about Oklahoma City involved not only a terrible human tragedy but also a story
of government conspiracy, media complicity, destruction of evidence,
intimidation, and torture. It happened two years after the 1993 bombing
of the World Trade Center and six years before the false flag operation
Film producer Christopher Emery began researching the Oklahoma City
bombing back in 2000, even moving to Oklahoma City from New Mexico in
2003 so he could be close to witnesses and other sources of information.
The result of all these years of work is a remarkable piece of
investigative journalism and documentary filmmaking called A Noble Lie. The film does the work that the mainstream media refused, and still refuses, to do.
“We’re trying to rewrite history,” Emery says. “We want to make sure this never happens again.”
The title, as we’re told at the beginning of the film, is taken from
Plato’s Republic and refers to the propping up of a myth in order to
maintain social harmony and keep the elite in their present position.
The film features powerful never-before-seen TV footage and
interviews with survivors, victims’ family members, police officers,
rescue workers, and citizen investigators who have been fighting to
expose the truth for the past 17 years.
It also uses government
documents to reveal new information to the public.
Also interviewed is talk show host and activist Alex Jones, who is a
major supporter of the film. Jones says that in the months leading up to
the bombing, the media were actively conditioning the population to
fear militant extremists. He says that people are starting to see
through false flag ops like Oklahoma City and 9/11.
“The government is going to have trouble in the future engineering
atrocities like Oklahoma City because the public is really getting wise
to their tricks,” Jones said in the film.
In A Noble Lie, we learn that ATF employees (Bureau of
Alcohol, Tobacco, Firearms and Explosives) who worked in the Murrah
Building received messages on their pagers prior to the bombing telling
them not to go to work. And when the bomb went off at 9:02 a.m. none of
the children of ATF workers were present in the building’s daycare
The film also reveals that the public persona of convicted bomber
Timothy McVeigh was a complete fabrication. Rather than being a radical
who hated the government, Emery says, he was actually a CIA sharpshooter
and assassin who had been involved in covert government drug
trafficking operations. He had been decorated several times, even
receiving one commendation while he was in prison for the bombing.
“McVeigh was a very cunning, very talented sharpshooter,” Emery says, “He was a puppet, a showpiece for the official narrative.”
Emery says that McVeigh’s job was to infiltrate militia groups and
pose as an anti-government extremist to build up this false persona.
The parallel that jumps out when you consider this aspect of the plot
is to Lee Harvey Oswald, the man who the media still refers to as the
assassin of President John F. Kennedy even though he was never charged
with the crime.
Oswald had a persona created for him as well so it would
appear that anti-U.S. entities were really behind the assassination.
The government created a cover story that Oswald was a Communist (he
defected to the Soviet Union only to come right back) when in fact he
had been an operative for U.S. military intelligence.
A Noble Lie also conclusively proves that the blast damage
at the Murrah Building could not have come from the truck bomb that
McVeigh is alleged to have placed there. Debris was blown out
from the building, travelling hundreds of feet against the force of the
blast. If the truck bomb had done all the damage, the force would have
blown debris into the building. Emery says one of the rubber
seals that held the windows in place on the north side of the building
was found a block and a half away after the blasts.
The film also provides proof that there was more than one blast, with
timed charges, planted in the building, set to go off over a period of
several seconds. Some survivors avoided death when they ducked under
their desks after the initial blast.
We learn the heartbreaking story of patrolman Terrance Yeakey, who
was one of the first to respond after the bombing took place (he was
there is less than 10 minutes) and who was credited with saving several
lives that day. Yeakey was collecting evidence about the bombing, and he
was subjected to daily harassment and intimidation from his fellow
officers because he refused to go along with the official version of the
His early arrival at the site showed the government’s official
description of the bombing to be false. They had claimed McVeigh’s truck
contained an ammonium nitrate bomb, but if that were true, the air
would have been unbreathable for some time after the bombing. This was
not the case.
A year after the bombing, and shortly before he was to start work at
the FBI, Yeakey was brutally murdered, although his death was ruled a
suicide. For this to be true, however, Yeakey would have had to cut his
wrists and neck before leaving and locking his car. He would then have
had to climb a barbed-wire fence, walk more than a mile through a field,
and then shoot himself through the head at an unusual angle. No gun was
found. No investigation was conducted.
Was the bombing a ‘sting gone wrong’?
One of those interviewed in the film was Hoppy Heidelberg, who was a
member of the Federal Grand Jury that investigated the bombing in 1995.
Heidelberg was dismissed from the Grand Jury because he insisted on the
right of jurors to call witnesses and to view the Alfred P. Murrah
After seeing the film, Heidelberg reacted angrily to the suggestion
by Charles Key, a state representative and founder of the Oklahoma City
Bombing Investigation Committee, that the bombing was a “sting gone
wrong,” a suggestion also made by another committee member, Dale
One comment that upset Heidelberg was when Key says in the film:
““Some in the media would accuse us [OKBIC] of saying the government
blew the building up, which we never said, and I don’t believe.”
Emery praises the work Key has done pushing for the truth on the
bombing over the years, although he reaches a very different conclusion
as to how it happened.
In my view, Key’s belief is similar to someone believing that the
9/11 “attacks” happened because of government bungling.
Fortunately, A Noble Lie
just does too good a job of exposing the government lies and deceptions
for the “sting” theory to hold any water at all. The idea that things
just got “out of control” flies in the face of so much of the evidence.
If I had a criticism, however, it would be that the sting contention
kind of comes out of nowhere, and it isn’t directly refuted by anyone in
the film. Had Heidelberg or former Tulsa police officer Craig Roberts
(who was interviewed) been asked directly about this theory, both would
certainly have forcefully discounted it.
In an article in American Free Press, Roberts commented on the sting
theory: “People saying this have never been in law enforcement. That
bell just doesn’t ring true to me.”
In this article I’ve just scratched the surface of the evidence
unearthed by Emery, director James Lane and writers Wendy Painting and
The makers of A Noble Lie have made an important
contribution to the quest for truth about the bombing. And according to
Emery, there’s more to come. A second film is in the works that will
include more explosive evidence to reveal the true circumstances of the
bombing. That film will be out sometime next year, he says. (VN: that is if they live to finish it. The khazars are well known for knocking off those who are a threat to their massive horrific agenda.)
The story told in A Noble Lie shows conclusively that the
government’s version of what happened is not only untrue, but a
deliberate lie. With the WTC bombing and Oklahoma City, the public was
prepped for the mother of all false flag operations, the fake “terrorist
attacks” of 9/11.
“They were turning up the ratchet in terms of body count,” Emery
says. “It’s all part of a sequence of events, part of a bigger picture.”
If you’re interested in purchasing a copy of A Noble Lie, you can find it at anoblelie.com or infowars.com.
The article is reproduced in accordance with Section 107 of title 17 of the Copyright Law of the United States relating to fair-use and is for the purposes of criticism, comment, news reporting, teaching, scholarship, and research.