Whitney Houston and the 2012 Grammy Awards Mega-Ritual - PART 3

*** Fund Raising UPDATE:  Oh, dear, we are still at $255 deficit balance needed to continue this blog.  Please, if you are able, and so desire, we would appreciate your donating to our blog so we can continue our work for your benefit.  So much is happening so very fast that this is not the time to be losing sources of good information that we desperately need to prepare.   Thank you in advance for anything you can contribute to keep us alive so we can continue to expose the underbelly of the beast as its revealed.  We have until midnight Monday, because on Tuesday we have to make our nut. 

Vatic Note:  This is the third in a series of 3 on Whitney Houston and its a heartbreaker.   This lovely woman with many problems was brutally and ritually sacrificed by the demon seekers and satanists.   Just look at the photo with that toadie little man with his arms around those two women.   I bet she got too old and wasn't young enough for the old toad anymore.  

Sorry, but this looks exactly like what it probably is.   Same with the movie industry as well.   Whitney Houston was a very great talent and had problems in relationships and handled it badly, but then I believe she had a lot of help going in the wrong direction.  Unfortunately, unlike most of us, she paid dearly for her mistakes.  She paid with her life.  Well, now she  is at peace anyway.  She will be able to watch these toadies get their just desserts, and I suspect it will be soon.  

Whitney Houston and the 2012 Grammy Awards Mega-Ritual - PART 3

http://vigilantcitizen.com/musicbusiness/whitney-houston-and-the-2012-grammy-awards-mega-ritual/

By VC | February 18th, 2012 

Out With the Old, In With the New?

Industry mogul Clive Davis with Whitney Houston and Jennifer Hudson.

A day before Whitney’s death, Clive Davis told Piers Morgan that Jennifer Hudson was “the next Whitney”. 

While Whitney was being reduced to the state of has-been, constantly humiliated by tabloid stories, Hudson was being groomed to become the next industry diva. After being discovered on American Idol, Hudson’s career took off … right after the violent murders of her mother and brother in 2008. Her first public appearance after the traumatic event was singing the Star-Spangled Banner during Superbowl XLIII.

At the 2012 Grammy Awards, who do you think was chosen to pay tribute to the fallen artist by singing her greatest hit I Will Always Love You?

In her tribute to Houston, Hudson was literally placed "in the spotlight" while a picture of Houston floated above her.

Another artist of Whitney’s calibre re-emerged triumphant, almost like a re-birth after a period of silence: Adele. However, the symbolic ceremony of the 2012 Grammy Awards could not be completed without a true ritual dealing with the spiritual realm. Nikki Minaj took care of that.

The Black Mass

Nicki Minaj enters the Grammys in a ritualistic red robe, color of sacrifice and initiation. Was it a reference to Whitney's blood sacrifice?

The Grammy Awards ceremony may have begun with a heart-felt prayer for Whitney Houston, but it ended with an all-out Satanic Black Mass. From her “red carpet” entrance to her musical performance, Nikki Minaj played the role of a woman possessed by a demon named “Roman Zolanski”. The 2012 Grammy Awards were apparently chosen to “exorcise” this demon from Nikki and to present it to the world as her new alter-ego. In last year’s Grammy Awards, Lady Gaga also presented a new persona for Born This Way: a Gaga with horns on her forehead.

In a music industry permeated with the concept of mind control, alter-personas that are completely separate from the artists are now the norm. As discussed in the article Origins and Techniques of Monarch Mind Control, the goal of Monarch programming is to create new personalities within a mind-control victim using violent trauma and frightening rituals. The personas that are created are fully programmable by their handlers and can even speak with a different accent, as is the case with Minaj’s alter persona. The chorus of Minaj’s song Roman Holiday appears to refer to the process of mind control:

Take your medication, Roman
Take a short vacation, Roman
You’ll be okay
You need to know your station, Roman
Some alterations on your clothes and your brain
Take a little break, little break
From your silencing
There is so much you can take, you can take
I know how bad you need a Roman holiday

Mind-control slaves are highly medicated and have their clothes (outward style) and brain “altered” by their handlers. This is accomplished by forcing the victim to dissociate from reality through intense trauma and pain: “There is so much you can take” before the mind dissociates from reality or goes on a “Roman Holiday”.

Minaj’s alter-persona is named Roman Zolanski. He has his own strange accent and is evidently the product of evil rituals. The name of this alter is inspired by movie director Roman Polanski, who produced Rosemary’s Baby, a movie about the birth of the Anti-Christ (see the article about it here). 

Polanski is even more famous for being charged with rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance to a minor in 1977. Strange fellow to be inspired by. He is however an intricate piece in the history of the occult entertainment industry so this “tribute” to him by an industry pawn such as Minaj is not surprising.

Actual Monarch programming is accomplished using a strong undercurrent of Satanic imagery to disturb and traumatize the victim. In the case of Minaj’s performance, her alter ego was exorcised in a Satanic Black Mass – which is, in essence, a mockery and a desecration of a conventional Christian mass.



Minaj begins her performance tied up in what appears to be Catholic church. The force that possesses her is apparently too strong to hold her down though, and as the church windows explode, she is unbound. Minaj then descends into a church gone wild, complete with strippers rubbing on young priests who are attempting to pray to God (was that really necessary?).

Then, as the choir make a mockery of the classic Christian hymn O Come All Ye Faithful, a pope figure enters and makes Minaj levitate.

This Christian mass turned into a fiery black magic ritual for the world to see.

In short, Minaj’s performance presented the world her new alter-ego who will be rapping on her next album. Her performance made it clear that Roman Zolanski is nothing less than a demon that was created with Minaj and exorcised from her through a Black Mass ritual. 

If the performance alone was enough to trouble some viewers, when it is put in the context of Whitney Houston’s death that happened about 24 hours beforehand (a singer that was never shy about her Christian faith), the whole thing takes on an even more troubling dimension. Ancient magicians drew on the power of blood sacrifices to carry on Black Magic rituals. With Whitney’s death still fresh in everyone’s mind, the Black Mass that was proudly presented by the 2012 Grammy Awards had all the more potency on its worldwide viewers.

In Conclusion

This article presented a great number of facts and symbols that point towards the conclusion that Whitney Houston’s death may have been a blood sacrifice and that the 2012 Grammy Awards had occult ritualistic elements within it. Even if all of these events were not deliberately planned by industry handlers, they all contribute to a clear and disturbing picture of the music industry.

While Whitney Houston’s life was ending under bizarre circumstances and she was portrayed in the media as a hopeless drug addict, a new generation of Illuminati-approved artists were being placed in the spotlight. They willingly participated in the occult ritual that was the Grammy Awards and played their role in the tragic-comedy of the music industry, even if it meant losing their essence and their soul. 

What happens to those who don’t play along with the system or rebel against it? They disappear from the spotlight, and sometimes they disappear from this earth in less than dignified circumstances. Because, as the mantra of the 2012 Grammy Awards indicates: The elite take care of their own. And no one else.

---

The article is reproduced in accordance with Section 107 of title 17 of the Copyright Law of the United States relating to fair-use and is for the purposes of criticism, comment, news reporting, teaching, scholarship, and research.